Last week I attended an event at Joe's Pub in New York City, featuring Nathan Englander, Jennifer Egan and Karen Russell. I really wasn't familiar with Karen Russell's work but found her amusing and entertaining at the event, so I decided to pick up Swamplandia! her critically acclaimed novel, and I'm enjoying it so far. It's a quirky tale of a precocious preteen growing up in a family who runs an alligator theme park on an island near Florida.
I've also been enjoying the stories in Etgar Keret's פתאום דפיקה בדלת of late, when I feel like reading Hebrew. And I was delighted to learn that none other than Nathan Englander himself is translating it. Look for "Suddenly a Knock at the Door" some time next year.
I found Jennifer Egan to be refreshingly humble about her writing. Especially for a Pulitzer winner. She seems like a genuinely nice and likeable person. My wife enjoyed "The Keep" which I look forward to reading in the near future.
Blog of David Ginsberg, containing fictional stories, musings, and anecdotes of a neurotic crank.
Wednesday, June 29, 2011
Sunday, June 19, 2011
My story "Once an Undine" appears in Scarlet Literary Magazine
Scarlet Literary Magazine's second issue includes one of my short pieces "Once an Undine", inspired by a story written by Ingeborg Bachmann. You can read it at the following:
http://scarletzine.wordpress.com/gus-ginsburg/
This story is of a different character than my usual dark humor.
http://scarletzine.wordpress.com/gus-ginsburg/
This story is of a different character than my usual dark humor.
Tuesday, May 31, 2011
Synopses for Bride of the Golem Stories
Following are abstracts of stories accepted for publication in Bride of the Golem.
Barry Rosenberg “Gershom’s Golem”. World-weary kabbalist Gershom makes a golem to do his yardwork but ends up with a kvetcher.
Norman Rubin “Aunt Bessie and the ‘It’”. A fierce ghostly presence fails to scare a yiddishe bubbie.
Sharon Diane King’s “Feast of the Laughing Cow” is a deliciously anachronistic Rabelaisian romp set in the ancient land of Israel.
Jim Meirose “Deni-al”. Golem Noir. A kabbalist makes a golem. A mobster wants to buy him. A rabbi gets in the way.
Melissa Yuan-Innes “WWWJD”. A satirical story of Joseph Cartaphilus, Wandering Jew.
Liz Coley “Till Death Does His Part”. Death comes for Ms. Edelstein, but she won’t be carted away so easily.
Aaron Simon “My Dog the Dybbuk”. A young man finds his beloved dog taken over by a dybbuk, the spirit of a Yiddish-obscenity-spouting cranky old man
Adina Rosenthal “Succubus-in-law”. A woman’s Passover seder with her new mother-in-law becomes her last supper.
E. Mitchell “I Was a Teenage Yeshiva Boy Werewolf”. A delightful spoof of Isaac Bashevis Singer’s “Yentl the Yeshiva Boy” with werewolves.
Yehuda Yussel “Pig”. A reimagining of Kafka’s Metamorphosis, a young and unobservant Greg wakes up one Shabbat morning as a pig.
David Hendrickson “Floater”. Elderly Hiram Silverman is afflicted by a most unusual floater in one of his eyes.
Tonia Brown “Zombie Golem”. A man accidentally kills his girlfriend during a bout of consensual rough sex, then consults a kabbalist to reanimate her.
Mike DiChristina “Mr. Met”. Lenny, a man with a gambling habit and a mystical autocad scanner kills his wife for money, then in a fit of remorse, brings her back, to his misfortune.
Ken Liu “The MSG Golem”. During a space voyage, a Chinese girl descended from the Jews of Kaifeng receives a message from God to make a golem from MSG to save a planet.
David Naimon “Member”. A revised reprint (with permission of Zyzzyva Magazine) of a story of a young man’s dread facing his bar mitzvah.
Anna Taborska “Dirty Dybbuk”. A proper orthodox woman from Golder’s Green, London, is inhabited by the spirit of a deceased nymphomaniac.
A.B.S. Dudevant “The Gingerbread Golem”. A richly-written story of an Ethiopian Jewess who creates a Golem to get rid of her husband.
Gio Clairval & Daniel Pasetti “Toytfogl”. Humorous with an antiquated Lovecraft/Steampunk vibe, the story of two fin-de-siecle professors who unleash an unnaturally evil beast.
Gus Ginsburg “By Way of Explanation”. A newly vampiric Hassid decides to become a mohel to get his blood, while his wife is convinced he’s become homosexual.
G. Miki Hayden “The Cantor and the Ghost”. The ghost of newly deceased Rabbi Wild haunts and bedevils a congregant he dislikes. The Cantor tries to mediate.
Barry Rosenberg “Gershom’s Golem”. World-weary kabbalist Gershom makes a golem to do his yardwork but ends up with a kvetcher.
Norman Rubin “Aunt Bessie and the ‘It’”. A fierce ghostly presence fails to scare a yiddishe bubbie.
Sharon Diane King’s “Feast of the Laughing Cow” is a deliciously anachronistic Rabelaisian romp set in the ancient land of Israel.
Jim Meirose “Deni-al”. Golem Noir. A kabbalist makes a golem. A mobster wants to buy him. A rabbi gets in the way.
Melissa Yuan-Innes “WWWJD”. A satirical story of Joseph Cartaphilus, Wandering Jew.
Liz Coley “Till Death Does His Part”. Death comes for Ms. Edelstein, but she won’t be carted away so easily.
Aaron Simon “My Dog the Dybbuk”. A young man finds his beloved dog taken over by a dybbuk, the spirit of a Yiddish-obscenity-spouting cranky old man
Adina Rosenthal “Succubus-in-law”. A woman’s Passover seder with her new mother-in-law becomes her last supper.
E. Mitchell “I Was a Teenage Yeshiva Boy Werewolf”. A delightful spoof of Isaac Bashevis Singer’s “Yentl the Yeshiva Boy” with werewolves.
Yehuda Yussel “Pig”. A reimagining of Kafka’s Metamorphosis, a young and unobservant Greg wakes up one Shabbat morning as a pig.
David Hendrickson “Floater”. Elderly Hiram Silverman is afflicted by a most unusual floater in one of his eyes.
Tonia Brown “Zombie Golem”. A man accidentally kills his girlfriend during a bout of consensual rough sex, then consults a kabbalist to reanimate her.
Mike DiChristina “Mr. Met”. Lenny, a man with a gambling habit and a mystical autocad scanner kills his wife for money, then in a fit of remorse, brings her back, to his misfortune.
Ken Liu “The MSG Golem”. During a space voyage, a Chinese girl descended from the Jews of Kaifeng receives a message from God to make a golem from MSG to save a planet.
David Naimon “Member”. A revised reprint (with permission of Zyzzyva Magazine) of a story of a young man’s dread facing his bar mitzvah.
Anna Taborska “Dirty Dybbuk”. A proper orthodox woman from Golder’s Green, London, is inhabited by the spirit of a deceased nymphomaniac.
A.B.S. Dudevant “The Gingerbread Golem”. A richly-written story of an Ethiopian Jewess who creates a Golem to get rid of her husband.
Gio Clairval & Daniel Pasetti “Toytfogl”. Humorous with an antiquated Lovecraft/Steampunk vibe, the story of two fin-de-siecle professors who unleash an unnaturally evil beast.
Gus Ginsburg “By Way of Explanation”. A newly vampiric Hassid decides to become a mohel to get his blood, while his wife is convinced he’s become homosexual.
G. Miki Hayden “The Cantor and the Ghost”. The ghost of newly deceased Rabbi Wild haunts and bedevils a congregant he dislikes. The Cantor tries to mediate.
Friday, May 13, 2011
Diane Williams' Romancer Erector
Oftentimes, my literary tastes overlap with those of my spouse. We both love Douglas Adams, as well as David Mitchell's Cloud Atlas, Italo Calvino's If on a Winter's Night a Traveler, and Gary Shteyngart's Supersad True Love Story, Miranda July's short stories, to name a few.
However, on the matter of Diane Williams' stories in Romancer Erector we are polar opposites. In my opinion the stories are brilliant. They break all the rules of the craft, fracture the protagonist's ego into a disparate and schizophrenic chorus. She uses multiple distancing effects to prevent the reader from situating the characters into a world. In a word, revolutionary. My wife, however, thinks the stories are creepy and repulsive.
Do you have an opinion on Dianne Williams? Let us know, is she creepy or brilliant?
However, on the matter of Diane Williams' stories in Romancer Erector we are polar opposites. In my opinion the stories are brilliant. They break all the rules of the craft, fracture the protagonist's ego into a disparate and schizophrenic chorus. She uses multiple distancing effects to prevent the reader from situating the characters into a world. In a word, revolutionary. My wife, however, thinks the stories are creepy and repulsive.
Do you have an opinion on Dianne Williams? Let us know, is she creepy or brilliant?
Thursday, May 12, 2011
Strangeness on a Train
A few days ago I was riding a Central Line train out to Ealing for a real estate appointment. Across from me sat a youngish Indian-Briton in jeans and a purple hoodie. I was reading Laurence Sterne's Tristram Shandy. Heartily amused by a passage in the book, I looked up smiling. The man opposite me apparently mistook my smile for an inviting gesture. He moved across to my side of the train, two seats down from me and proceded to look at me. He wrote something on a slip of paper and placed it between us. I didn't pick it up, rather I focused on the events of Shandy, Book V. After a minute, with big sweeping dramatic movements, he picked up the piece of paper and ripped it to shreds in front of me, throwing the fragments on the floor and moved down the train car. It's for the best, really. In addition to the insurmountable obstacle of our differing orientations (un-sir-mountable, one could jest), I very strongly dislike litterbugs.
Thursday, April 14, 2011
Bride of the Golem Update
Following is a list of the stories I've accepted so far. I am awaiting rewrites from two people, which may or may not be included. When a publisher has picked up the project, we will solicit stories from a few other authors as well. In the meantime, Bride of the Golem will include these works:
Barry Rosenberg "Gershom's Golem"
Norman Rubin "Aunt Bessie and the It"
Sharon Diane King "Feast of the Laughing Cow"
Jim Meirose "Deni-al"
Melissa Yuan-Innes "WWWJD"
Liz Coley "Till Death Does His Part"
Aaron Simon "My Dog the Dybbuk"
Adina Rosenthal "Succubus-in-Law"
E. Mitchell "I Was a Teenage Yeshiva Boy Werewolf"
Eric Joel Bresin "Pig"
David Hendrickson "Floater"
Tonia Brown "Zombie Golem"
Mike DiChristina "Mr. Met"
Ken Liu "The MSG Golem"
David Naimon "Member"
Anna Taborska "Dirty Dybbuk"
A.B.S. Dudevant "The Gingerbread Golem"
Gio Clairval & Daniel Pasetti "Toytfogl"
Gus Ginsburg "By Way of Explanation"
G. Miki Hayden "The Cantor and the Ghost"
I received 211 submissions, of which about 35 were pretty good stories, in my opinion. Thanks to all who sent me their work.
Barry Rosenberg "Gershom's Golem"
Norman Rubin "Aunt Bessie and the It"
Sharon Diane King "Feast of the Laughing Cow"
Jim Meirose "Deni-al"
Melissa Yuan-Innes "WWWJD"
Liz Coley "Till Death Does His Part"
Aaron Simon "My Dog the Dybbuk"
Adina Rosenthal "Succubus-in-Law"
E. Mitchell "I Was a Teenage Yeshiva Boy Werewolf"
Eric Joel Bresin "Pig"
David Hendrickson "Floater"
Tonia Brown "Zombie Golem"
Mike DiChristina "Mr. Met"
Ken Liu "The MSG Golem"
David Naimon "Member"
Anna Taborska "Dirty Dybbuk"
A.B.S. Dudevant "The Gingerbread Golem"
Gio Clairval & Daniel Pasetti "Toytfogl"
Gus Ginsburg "By Way of Explanation"
G. Miki Hayden "The Cantor and the Ghost"
I received 211 submissions, of which about 35 were pretty good stories, in my opinion. Thanks to all who sent me their work.
Tuesday, April 5, 2011
Bride of the Golem submissions are now closed
The Bride of the Golem submissions deadline of April 4 has passed, and though I haven't finished making my way through the mountain of stories I've recently received, I definitely have enough good and publishable stories to fill the anthology. So if you're thinking of submitting, please don't--unless you're one of the four people I asked to revise and resubmit.
I hope to make my decisions on the stories I've received in the next few weeks, and to post a list of included stories by the end of the month.
If you missed the deadline, don't despair. If this project sells as well as I hope, there will be a Return of the Bride of the Golem project in the near future.
Thanks to all who submitted.
Cheers,
Gus Ginsburg
I hope to make my decisions on the stories I've received in the next few weeks, and to post a list of included stories by the end of the month.
If you missed the deadline, don't despair. If this project sells as well as I hope, there will be a Return of the Bride of the Golem project in the near future.
Thanks to all who submitted.
Cheers,
Gus Ginsburg
Friday, March 4, 2011
Bride of the Golem Submissions Closing Date
The anthology is starting to fill up. I initially considered a closing date of March 1, but want to give a few more people adequate time to finish their submissions. The official closing date of Bride of the Golem submissions is Monday April 4, 2011. Thank you to all who have sent me your stories.
Wednesday, December 22, 2010
Call for Stories: Bride of the Golem: An Anthology of Humorous Jewish Horror
I will be editing the book "Bride of the Golem: An Anthology of Humorous Jewish Horror" and am seeking stories to include in it.
The stories can employ a new Jewish twist on a mainstream horror theme (e.g. a tale about a Hassidic vampire mohel or about the Lubbavitchers reanimating Rebbe Schneerson). Or they can reinterpret horrific elements in classical Jewish folklore like the Golem or dybbuk. Or they can venture into entirely new territory.
Stories of this genre that I like: Etgar Keret's "Quanta", Shulamit Hareven's "The Emissary", Shalom Auslander's "Prophet's Dilemma" and Nathan Englander's "Reb Kringle," to name just a few.
Requirements are the following:
1) The story should be humorous.
2) The content of the story should have some connection to Jewish culture deeper than the names of the main characters. Subtle references to Talmud, the prayerbook, Midrash are very welcome, though not required. You don't have to be Jewish to submit, but it helps if you have some prior knowledge of Jewish traditions.
3) It is preferrably unpublished, though I will consider reprints in some cases if the reprint rights are easily negotiated. I will also consider translations of stories from other languages if the rights are easily secured.
4) The length can vary from 500 words to 10,000.
5) The story should be well-written. I shouldn't have to say this.
6) The story should be forwarded to me via e-mail: gus.ginsburg40@gmail.com with the words "Bride of the Golem Submission" in the subject line. Word docs are fine, but not docx format. I prefer doublespaced, 12 point in a readable font. The document should be paginated with your name and title at the bottom of each page. The first page or cover page should include your contact information. You can include a brief bio (up to 250 words) in the body of your submission e-mail.
7) Simultaneous submissions are fine. Let me know immediately if the story is accepted elsewhere.
Here's how the process will work:
I am looking for 10-12 publishable stories by new and upcoming authors, and I will see that you are paid $500 for your story, though it may take some time for you to receive your payment as I have to get an agent and publisher on board with this project. I will also solicit 2-4 stories by better-known authors in order to make this volume a bestseller at Jewish book fairs.
The stories can employ a new Jewish twist on a mainstream horror theme (e.g. a tale about a Hassidic vampire mohel or about the Lubbavitchers reanimating Rebbe Schneerson). Or they can reinterpret horrific elements in classical Jewish folklore like the Golem or dybbuk. Or they can venture into entirely new territory.
Stories of this genre that I like: Etgar Keret's "Quanta", Shulamit Hareven's "The Emissary", Shalom Auslander's "Prophet's Dilemma" and Nathan Englander's "Reb Kringle," to name just a few.
Requirements are the following:
1) The story should be humorous.
2) The content of the story should have some connection to Jewish culture deeper than the names of the main characters. Subtle references to Talmud, the prayerbook, Midrash are very welcome, though not required. You don't have to be Jewish to submit, but it helps if you have some prior knowledge of Jewish traditions.
3) It is preferrably unpublished, though I will consider reprints in some cases if the reprint rights are easily negotiated. I will also consider translations of stories from other languages if the rights are easily secured.
4) The length can vary from 500 words to 10,000.
5) The story should be well-written. I shouldn't have to say this.
6) The story should be forwarded to me via e-mail: gus.ginsburg40@gmail.com with the words "Bride of the Golem Submission" in the subject line. Word docs are fine, but not docx format. I prefer doublespaced, 12 point in a readable font. The document should be paginated with your name and title at the bottom of each page. The first page or cover page should include your contact information. You can include a brief bio (up to 250 words) in the body of your submission e-mail.
7) Simultaneous submissions are fine. Let me know immediately if the story is accepted elsewhere.
Here's how the process will work:
I am looking for 10-12 publishable stories by new and upcoming authors, and I will see that you are paid $500 for your story, though it may take some time for you to receive your payment as I have to get an agent and publisher on board with this project. I will also solicit 2-4 stories by better-known authors in order to make this volume a bestseller at Jewish book fairs.
Short Stories
I hope to someday compile a list of short stories I enjoyed. The genre is often overlooked as novels are much more prestigious.
At the very top of my list will be Ingeborg Bachmann's "Undine Goes." Her marvelously poetic prose inspired me to write two short stories of my own, one of which comprises Hans' response to Undine, the narrator of Bachmann's story.
Another I read recently is "The Genie Lamp" by Carolyn Watson. It appears in Slice Magazine, issue 6.
At the very top of my list will be Ingeborg Bachmann's "Undine Goes." Her marvelously poetic prose inspired me to write two short stories of my own, one of which comprises Hans' response to Undine, the narrator of Bachmann's story.
Another I read recently is "The Genie Lamp" by Carolyn Watson. It appears in Slice Magazine, issue 6.
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